2025-09-10
María Fontanez: Bringing the Opera House Home
The soprano on singing in kitchens, community stages, and why the fourth wall is the only thing worth demolishing.
Isabelle Moreau
No. 04 · Autumn 2025
2025-09-10
The soprano on singing in kitchens, community stages, and why the fourth wall is the only thing worth demolishing.
Isabelle Moreau
2025-09-06
The composer of the new choral cycle explains why he begins every score with thirty seconds of nothing.
David Achebe
2025-09-01
The violist talks about tone as material, the politics of repertoire, and why she records in the dark.
Rosa Lindqvist